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Showing posts with label sculpture. Show all posts
Showing posts with label sculpture. Show all posts

Thursday, 16 June 2016

Summer Exhibitions

For our AS students who are now back with us beginning their second year we set them a summer task to visit an exhibition! I've spent the morning compiling a list of suggestions (mostly London based) from my students and thought it might be handy to share with you all! I'm looking forward to attending the Royal Academy Summer Show next week as a trip for our students (Kirsty is attending too!) and I'm visiting Part 1 of New Designers. After those I'll need to start planning a few to visit over the summer. I've heard good things about Mona Hatoum at the Tate and am keen to check out Conceptual Art in Britain as well as Exhibitionism - if the Bowie exhibition at the V&A is anything to go by for an art/music collaborative show it's bound to be good!

GRADUATE SHOWS
Where: Business Design Centre Islington, London
Cost: £12 (in advance) £16 (on the door)
Where: Truman Brewery, London
Cost: Free

MUSEUMS & GALLERIES 


Where: Royal Academy, London
Cost: £13.50 or £10 with student card

Where: Tate Britain, London
Cost: £12 or £10.50 with student card

What: Mona Hatoum 
Where: Tate Modern, London
Cost: £16 or £14 with student card

Where: Tate Modern. London
Cost: £19 or £17

Where: Tate, Liverpool
Cost: £13.20 or £10.45 with student card

Where: Serpentine
Cost: Free

Where: National Portrait Gallery, London
Cost: free

Where: National Gallery, London
Cost: £10 or £5 with student card

Where: Saatchi Gallery, London
Cost: £20-22 or £18-20 with student card (it's cheaper to go Monday-Thursday + no student rate on Saturdays)

Where: Whitechapel, London
Cost: free

Where: Hauser & Wirth, Somerset
Cost: Free

Where: Hauser & Wirth, London
Cost: Free

Where: Shoreditch, London
Cost: £12-15 depending on which tour you take!

Let us know if you visit any of the exhibitions and share what you think with us + we'd love to hear any suggestions for exhibitions further afield!

- Claire ❤

Wednesday, 28 January 2015

Digital: Fragment App

This academic year has flown by and like many of you in Further Ed I can't believe we're about to start the exam unit! With this in mind I realised my attention lately has been on the job and that it was about time I focused on sharing ideas that I've discovered on my journey.


Some of you may have already heard of this App but it is literally amazing.. and I am a teeny bit jealous that it wasn't invented when I was studying art and design. Fragment App first came to my attention when it was iTunes 'App of the Month' and my colleague shared it with me. At first glance, I knew it would be some sort of photo editing software but I didn't realise the potential it had in the classroom!

Straight away I tested the software with some of my student's work (above image) and discovered that it was perfect for adding geometric patterns and shapes to images. I was instantly hooked and saw how it could revolutionize the development and experimentation of my student's work. 

My students have responded to the App really well and I would say that in some cases it has saved their project work. Some of my students have created entire projects using the App and it is a brilliant way of getting digital work into a project quickly without the hassle of Photoshop.



Here are some of my suggestions as to how you could use the software in your classroom:
  • Initial Responses: Engaging students with different ways of how to view their images - especially those who are most suitable to abstraction!
  • Experimentations: Drawing, painting, collaging, weaving, layering, double exposures, etc.
  • Sculptures: Print, cut, images and turn into unique photographic sculptures.


Fragment App is available through the iTunes store and works on iPhones/iPads/Androids as well as desktops! The App does cost - but it's definitely worth the couple of pounds and if you have a department account then you only have to pay for it once.. yay!

So, what are you waiting for? Deliver it as an exciting new technique to your students over the next few weeks and make their exam project stand out!

- Kirsty ❤

Monday, 12 May 2014

3W: Sally Mankus


who: Sally Mankus
what: mixed media, sculpture, installation
why: We came across Mankus's work when looking for inspiring wall hangings/quilts to show my students. Her work is actually more varied than that, she specialises in sculpture and installation and looks at everyday domestic objects as inspiration. We like the combination of imagery, texture and colour in her pieces and the unique technique she uses to achieve this lifting rust, carbon and markings from charred surfaces. 

Sunday, 4 November 2012

3W: PUTPUT


who: PUTPUT
what: sponge ice lollies that make our mouthes water!
why: because we love anyone that tries to put a bit of warmth into our current and cold english winter days. PUTPUT are a danish artist collective who create a range of interesting everyday objects out of coloured pieces of sponge, put them into a new, fun context and then re-photograph them in situ. The range of colours hit our taste buds and look nearly good enough to eat. Click on the links below to see further humorous artworks from the collective and keep up to date with what they are up to!

Wednesday, 31 October 2012

3W: Yayoi Kusama


what: A giant yellow dotted pumpkin
why: Because it's halloween and it seemed fitting to take a closer look at Yayoi Kusama's "Pumpkin". I only first discovered Kusama's work from the recent Tate Modern exhibition and I found it instantly impressive, unique and very original! This lovely high, vivid yellow pumpkin can be found situated on a beach in Noashima, Japan. What is great about this pumpkin is that it would make 'sense' anywhere - be it in your home, school or a lost island. It is said that the pumpkin represents Kusama's alter-ego or self portrait. What do you think? Check out some of her other monstrous polkadot sculptures here.

Tuesday, 28 August 2012

3W: Anna-Wili Highfield


what: Paper sculpture
why: because we love these delicate but realistic sculptures.  Anna-Wili Highfield is a master in paper manipulation working for a variety of private and commercial clients all over the world such as Anthropologie and Hermes. Anna-Wili who studied fine arts, realised her talent for paper sculpture  during her time working for Opera Australia producing entire scenes as a scenic artist. Her pieces are made from cotton paper that is painted and sewn together, with copper pipe which is 'bent and manipulated to create forms reminiscent of line drawings'.

Saturday, 18 August 2012

Review: Farnham Sculpture Park


Today the sun was out in all it's glory and I just couldn't resist going for a little stroll around Farnham Sculpture Park and boy, I wasn't disappointed. I think everyone knows that I am a huge lover of sculpture and I have been waiting nearly a year to visit this hidden gem since one of my wonderful students recommended it to me. I took my time to wander around the 10 acres of peaceful woodland and water gardens, running into wildlife and checking out all the 500 odd sculptures on display. It felt like I was a million miles from civilisation and I couldn't of asked for more on a beautiful summers day!

So, I started my journey from a shed-like office inside the middle of the park and was given a choice of adventurous, coloured routes to follow. With my map and price list in hand I typically chose the longest route - about a mile and a half - and followed the winding paths through various levels of woodland to a peaceful river for a spot of lunch on a handmade bench. Every turn I made was full of surprises as I passed a wide spectrum of modern and contemporary metal works from names such as Lucy Kinsella and Michael Marriott. As an art teacher it was refreshing to see curating at it's best. It is the only place I have been to where a giant winged eagle made of corks can sit next to a sculpture of mirrored punctuation !@?. Each sculpture worked together, despite the huge difference in subject matter and appearance. I don't know how, but it did. Perhaps it was the charm of this place. 

What I particularly loved about this art wonderland is that there was something for everyone... I even managed to drag my car obsessed partner around to give him the perfect insight into British sculpture and fresh, graduate talent. It is also a great way to encourage the enjoyment of site specific art with your students and show that art can exist outside the four white walls of a gallery. If you have a spare few minutes watch their YouTube channel videos for a great visual tour or follow Eddie, curator of the park on Twitter and 'like' their Facebook page here. You may of even seen some of the parks sculptures already as some selected favourites are currently on loan at the olympic village supporting team GB - how fantastic that our athletes are getting a little taste of art!

Do you have a favourite sculpture park? We'd love to hear all about your sculptural adventure/s!

 - Kirsty ❤

Saturday, 4 August 2012

Lesson idea: Photography

What I love about teaching photography is that students can work from 'found' imagery: magazines, newspapers, photo booth images, family/friend collections or any old vintage photographs found in a local jumble sale. Found imagery is great because not only is it cheap but students can start to build a story and a relationship with the images. In this lesson idea I am going to share with you some fun techniques/artists that will revolutionise students work and grades. I hope you find that each technique allows students to generate their ideas with exciting techniques that combine primary and secondary imagery. I haven't included lesson aims/objectives as these will be dependent on what you are using the methods for. Have fun!

Starter Activity:
Some of you may remember our 3W post about paper doctor Stephen J Shanabrook? His work is great and so easy to do.
You will need: found images (or student's own photographs) and your hands! 
How to do it: squash, crumple, fold, twist, etc. your photograph. Consider how the final image will fold together to make a new, distorted image.

This idea would be perfect as a 5/10min starter activity and from my experience students respond really well to it. It's an exciting way to engage students and it provides them with a contextual concept and refreshing ideas for the rest of the lesson.


Don't fancy this idea? Then why not try a more conceptual approach with the fantastic work of Laura White.



Artist: Laura White 
She has created some brilliant photographic sculptures entitled: Poster Series.
You will need: found photographs (or students own photographs) and your hands! 
How to do it: squash, fold, chew, scrunch, etc. your photograph. Each scrunch, fold or tear has a purpose and it is important for your students to understand why they are destroying the image.

This would work well as an alternative to the Shanabrook starter activity or compliment any lesson activity as a midway 'break'. As a conceptual artist myself I particularly love this method. The outcome has a lot of potential and it challenges students vision by making visible that which is not apparent, confusing photography's traditions and manipulating reality and meaning.

Lesson activity:

After thinking about the two starter activities available I went on the hunt for some similar photographic processes that could be your main lesson activity. The results of this technique are endless and work best if you set different timed activities on separate tables. I find it makes the lesson more fun and students 'peer' teach and critique without even realising!

1)
Artist: Off Camera
Off Camera are a group collective of photographic works who use sculpture as way of breaking away from photography's 'normal' conventions.
You will need: found photographs (or students own photographs), scissors, stapler or sellotape.
How to do it: ignore the constraints of the image and start to extend the edges of the image by adding on paper, drawing or painting, collaging with other materials or creating a new, transformed image by combining two or more photographs together. In the final step you need to start to free the photo from it's two-dimensions by folding, cutting and shaping prints into sculptures. Once complete, install in the classroom and enjoy your new walls!

Extension Activity:
2)

Now, this following artist is a bit different and creates origami 3D objects out of photographs. This concept can be a bit tricky for students but once the technique is mastered the results are very effective. Depending on how complex the sculpture you may need to go into 2 lessons for this activity if you prefer it over lesson activity number 1. You could even set it as a homework to check students understanding!

Artist: Rebecca Chew
You will need: found photographs (or students own photographs) and a tutorial of your choice on how to make origami. 
How to do it: choose a tutorial from youtube such as this one for making a boat and have a go at making this with your images, create a selection and try different examples. 

Plenary:

I love a good critique as it always makes my students leave the lesson feeling confident. It's entirely up to you what critique method you wish to use but I have selected 3 that would work well with this lesson:

1) open critique: students share their ideas and get feedback from different peers and their teacher. The idea of communication is key here and students can say what they want about each others work comfortably. Students will become aware of what they have created and how they have met the lesson aims and objectives by the end of it - hooray!
2) post-it critique: students love this - probably because they get coloured bits of sticky paper! It's an easy end of lesson discussion that gets all students involved. Students can walk around and leave one strength and one area for development comment on each piece of work. Once this is complete pick students at random to read the comments out. A good group discussion often happens and the best bit - students get to include the feedback in their sketchbooks!
3) prepared question critique: Get all students to stand in the middle of the classroom and make the left hand side 'YES', the right hand side 'NO' and the middle 'MAYBE'. As the teacher, ask a series of questions so that students have to move around the classroom to which statement best suits them. e.g. Did you enjoy this lesson? Did you use your time wisely? It's a great indicator to see how each student feels and provides instant feedback to yourself. Students also enjoy it as it keeps them interactive right up to the end of the lesson!

In the last 1-2 mins of the lesson get each student to set themselves a SMART target to achieve in the next lesson. They'll have the group critique to guide their answers and as the starter activity for the next lesson they can work in pairs to see if they have met their target. If not - why not and what needs to be developed? If yes - well done and set a new target for the lesson. You will be surprised how well targets motivate students and you will have a very productive lesson from it.
- Kirsty ❤
ps. we'd love to see how your students have evolved any of these concepts so if you use our ideas then please comment and let us know how it went. 

Thursday, 5 July 2012

Tutorial: Paper Relief and Rubbing


Paper relief and rubbings are brilliant and fun techniques that I often use as part of observational studies at the start of a project - particularly for 3D/Sculptural projects. It's also a technique I've used outside of my usual sixth form teaching. The video below gives step by step instructions, I used it as a starter for a lesson observation with a year 9 class at an interview a few months ago - it went down really well and I think it's a cool technique that can be adapted and used with a variety of year groups.


Got access to a printing press? We've got a beautiful one in our department! If you have too you can also extend this task by creating an embossing. All you need to do is soak some paper (ideally something quite heavy or watercolour!), pat it off so it's damp not soaking, place your paper relief on the printing bed and the damp water on top then run it through the press! The end result is stunning!

- Claire ❤

Thursday, 7 June 2012

3W: Katharine Morling

 

who: Katharine Morling
what: quirky ceramic sculptures
why: because she presents us with 3D sketches of objects that make us feel like we've just stepped into a book! At first, we thought they were painted pieces of paper but after closer inspection we soon found out that each sculpture is hand-crafted and made out of porcelain. Each object is painted with a black smear to outline the objects fine details such as the marks on a tape measure. Take a peek at the links below to have a further rummage in these theatrical and fun pieces!

Wednesday, 6 June 2012

3W: Duane Hanson

who: Duane Hanson
what: everyday hyperrealist sculptures
why: because he made typical everyday American life humorous. Each figure has been casted from 'live' models in his studio before being placed in a gallery context. You can see everything from the varicose veins, bruises and even stitched in body hairs. The clothes are even handpicked by the artist from charity shops before being accessorised. Their beautiful, funny, dark, quirky, theatrical, shocking and so much more. If you ever get the chance to see them then do - you'll never see three dimensional realism quite like it.

Wednesday, 30 May 2012

3W: Rachel Denny





what: sculpture covered in interesting materials such as cable knit cashmere 
why: because we love animals and knitting so both together is a winning combo! Denny is best known for her 'Domestic Trophies' collection, featured above, which consists of animals covered in recycled cable knit cashmere. It makes us feel warm and cozy, and just a little bit christmassy!