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Showing posts with label mixed media. Show all posts
Showing posts with label mixed media. Show all posts

Monday, 17 November 2014

technique: drawing with thread pva


Just a quick post to share my excitement with this technique! I love the idea of working with thread but not every student is going to be into the idea of sewing so if you've got any students like this get them to give this a go! 

Drawing with thread & pva
what you need: 
- embroidery floss (I used black but you can use any colour!)
- pva glue
- a flat plastic surface (I used a paint palette)
- glue stick or brush 

method:
1. Pour a layer of pva into your palette (approx. 5mm thick) - you can pour and tilt your palette or push the glue around to make a particular shape that suits your drawing or go right to the edges for an even shape
2. Cut stripes of thread to work with - if your using embroidery floss experiment with separating the 6 strands into different thicknesses so that you can get a range of line in your drawing
3. lay the strands thread into the pva to create your drawing - if you can't get them in the right position use your glue stick or brush to push them into place. You can also create loose threads around your drawing by hanging them outside of the glue area! 
note: the threads will start to sink into the pva and will look faint but the glue will dry clear so do not worry! 
4. Once you have completed your drawing leave to dry! This could take 24-48 hours depending on the thickness of the glue!
5. Once completely dry carefully peel your drawing away from the palette to reveal! 

extension: you could work into your drawing with machine or hand sewing OR cut away areas of glue to leave loose threads 

tip: I used a slightly dirty paint palette (you could paint the palette before hand if you wanted more control over this aspect) - the pva will pick up the paint from the surface which can add an interesting effect to your drawing, if you want it to dry clear use a super clean one! 

As always we'd love to see anything you create if you followed our instructions!
- Claire ❤

Tuesday, 1 July 2014

Lesson idea: Acrylic Transfer

My Fine Art students are currently transitioning into A2 and I have spent most of the past month introducing them new techniques that are easy and cheap to do! This post is going to introduce you to the wonderful world of acrylic transfers which are simply, a photographic transfer process that creates beautiful prints of your chosen image on to any acrylic painted surface. Across this week my students have tested the technique on paper, fabric, acetate and wood and all have produced some confident results! What I love about this technique is that any image is suitable - it works in both black and white / colour (inkjet or laser printed!) and it can be developed further as backgrounds or into interesting textural collages like the work of Rauschenberg or Sally Mankus. Follow my easy how to, to get started...


Once the transfer has been rubbed off to reveal your final result consider the following ideas:

1. Acrylic transfers with different coloured paints
2. Drawing / painting into acrylic transfers
3. Creating transfers on different materials other than paper e.g. wood, plastic, cardboard...
4. Experimenting with scale, repetition and layers to create a mixed-media collage!

Here are some of my student responses and as always if you have tried this technique then we would love to see some of your own/student examples!


- Kirsty ❤

Monday, 12 May 2014

3W: Sally Mankus


who: Sally Mankus
what: mixed media, sculpture, installation
why: We came across Mankus's work when looking for inspiring wall hangings/quilts to show my students. Her work is actually more varied than that, she specialises in sculpture and installation and looks at everyday domestic objects as inspiration. We like the combination of imagery, texture and colour in her pieces and the unique technique she uses to achieve this lifting rust, carbon and markings from charred surfaces. 

Tuesday, 25 September 2012

3W: Serena Cole

Serena Cole 'Search and Destroy' 2011

what: Mixed media portraiture
why: because these portraits are meticulous in detail, alluring in their high fashion couture subject matter and beguilingly dark and mysterious all at the same time. Serena's work swings wildly from the surreal to the simple with works such as the above 'Search and Destroy' venturing into the fantastical comparing starkly with her  'Black Mirrors' portraits set against an ominous black background. Serena works in pencil crayon, that long forgotten medium now having a revival back to acceptability and combines this with watercolour, ink, gouache, photo transfer and gold leaf to exquisite effect. Her work would be a great introduction to the complexities of the portrait as a subject matter for students and this combined especially considering her chosen media. Check out this interview with Serena on The Block Magazine website for further insight into her artwork. 

Tuesday, 18 September 2012

3W: Anne Ten Donkelaar



what: Mixed media floral imagery
why: because these delicate floral constructs are beautiful fantastical artworks featuring real pressed flowers combined with paper collage giving a real 3D mini garden for your wall! They have that etherial quality that suggests a flower fairy might just be hiding behind a toadstool and remind us of childhood days making daisy chains. Donkelaar, who states that she was 'obsessed with flowers as a kid' has also worked on other interesting projects such as her 'Broken Butterflies' series, where she reconstructs the missing wings of dead butterflies in an equally delicate and charming way. This is something that could easily inspire a nature related project using a mixture of real and found imagery and combining other mixed medias such as drawing or stitching. 

Saturday, 4 August 2012

Lesson idea: Photography

What I love about teaching photography is that students can work from 'found' imagery: magazines, newspapers, photo booth images, family/friend collections or any old vintage photographs found in a local jumble sale. Found imagery is great because not only is it cheap but students can start to build a story and a relationship with the images. In this lesson idea I am going to share with you some fun techniques/artists that will revolutionise students work and grades. I hope you find that each technique allows students to generate their ideas with exciting techniques that combine primary and secondary imagery. I haven't included lesson aims/objectives as these will be dependent on what you are using the methods for. Have fun!

Starter Activity:
Some of you may remember our 3W post about paper doctor Stephen J Shanabrook? His work is great and so easy to do.
You will need: found images (or student's own photographs) and your hands! 
How to do it: squash, crumple, fold, twist, etc. your photograph. Consider how the final image will fold together to make a new, distorted image.

This idea would be perfect as a 5/10min starter activity and from my experience students respond really well to it. It's an exciting way to engage students and it provides them with a contextual concept and refreshing ideas for the rest of the lesson.


Don't fancy this idea? Then why not try a more conceptual approach with the fantastic work of Laura White.



Artist: Laura White 
She has created some brilliant photographic sculptures entitled: Poster Series.
You will need: found photographs (or students own photographs) and your hands! 
How to do it: squash, fold, chew, scrunch, etc. your photograph. Each scrunch, fold or tear has a purpose and it is important for your students to understand why they are destroying the image.

This would work well as an alternative to the Shanabrook starter activity or compliment any lesson activity as a midway 'break'. As a conceptual artist myself I particularly love this method. The outcome has a lot of potential and it challenges students vision by making visible that which is not apparent, confusing photography's traditions and manipulating reality and meaning.

Lesson activity:

After thinking about the two starter activities available I went on the hunt for some similar photographic processes that could be your main lesson activity. The results of this technique are endless and work best if you set different timed activities on separate tables. I find it makes the lesson more fun and students 'peer' teach and critique without even realising!

1)
Artist: Off Camera
Off Camera are a group collective of photographic works who use sculpture as way of breaking away from photography's 'normal' conventions.
You will need: found photographs (or students own photographs), scissors, stapler or sellotape.
How to do it: ignore the constraints of the image and start to extend the edges of the image by adding on paper, drawing or painting, collaging with other materials or creating a new, transformed image by combining two or more photographs together. In the final step you need to start to free the photo from it's two-dimensions by folding, cutting and shaping prints into sculptures. Once complete, install in the classroom and enjoy your new walls!

Extension Activity:
2)

Now, this following artist is a bit different and creates origami 3D objects out of photographs. This concept can be a bit tricky for students but once the technique is mastered the results are very effective. Depending on how complex the sculpture you may need to go into 2 lessons for this activity if you prefer it over lesson activity number 1. You could even set it as a homework to check students understanding!

Artist: Rebecca Chew
You will need: found photographs (or students own photographs) and a tutorial of your choice on how to make origami. 
How to do it: choose a tutorial from youtube such as this one for making a boat and have a go at making this with your images, create a selection and try different examples. 

Plenary:

I love a good critique as it always makes my students leave the lesson feeling confident. It's entirely up to you what critique method you wish to use but I have selected 3 that would work well with this lesson:

1) open critique: students share their ideas and get feedback from different peers and their teacher. The idea of communication is key here and students can say what they want about each others work comfortably. Students will become aware of what they have created and how they have met the lesson aims and objectives by the end of it - hooray!
2) post-it critique: students love this - probably because they get coloured bits of sticky paper! It's an easy end of lesson discussion that gets all students involved. Students can walk around and leave one strength and one area for development comment on each piece of work. Once this is complete pick students at random to read the comments out. A good group discussion often happens and the best bit - students get to include the feedback in their sketchbooks!
3) prepared question critique: Get all students to stand in the middle of the classroom and make the left hand side 'YES', the right hand side 'NO' and the middle 'MAYBE'. As the teacher, ask a series of questions so that students have to move around the classroom to which statement best suits them. e.g. Did you enjoy this lesson? Did you use your time wisely? It's a great indicator to see how each student feels and provides instant feedback to yourself. Students also enjoy it as it keeps them interactive right up to the end of the lesson!

In the last 1-2 mins of the lesson get each student to set themselves a SMART target to achieve in the next lesson. They'll have the group critique to guide their answers and as the starter activity for the next lesson they can work in pairs to see if they have met their target. If not - why not and what needs to be developed? If yes - well done and set a new target for the lesson. You will be surprised how well targets motivate students and you will have a very productive lesson from it.
- Kirsty ❤
ps. we'd love to see how your students have evolved any of these concepts so if you use our ideas then please comment and let us know how it went. 

Thursday, 19 July 2012

3W: Erin Petson


what: art/illustration
why: because we love our mixed media! Her work is great to share with students as it shows how the boundaries between art, illustration,fashion and design are often blurred, her illustrations aren't just used in books and magazines but have been used in fashion collections, an animation and she regularly exhibits her artwork too (the V&A even have some of her drawings in their permanent collection!) Her website is definitely worth checking out, it's inspiring stuff! 



Friday, 8 June 2012

3W: Charlotte Caron


who: Charlotte Caron
what: c'est chic animal portraits over photo portraits
why: because it's such an amazing idea and we wish we had thought of it! French artist Charlotte Caron has painted animal heads on top of photographic portraits of her friends from art school aiming to highlight the masks people assume in everyday life. In her artist statement Charlotte's intention was to "create osmosis between the two mediums" - To fall in love with the collection like us view the links below where you might just have to commission one yourself!

Saturday, 2 June 2012

3W: Monti Medley




what: Fine art abstract painting
why: because we love his interesting mixed media abstract paintings which he combines with music on his website.  Monti paints in acrylic adding texture with various mediums such as modelling paste, plaster, gel, resin and sometimes found objects. He is a self-taught painter who predicates his work on the simple notion of painting what he sees. He describes his work by using words such as decay, erosion and weathered. You can purchase his work on his Etsy shop. 

Friday, 1 June 2012

3W: Mary Ann Wakeley


what: Fine art abstract painting
why: because we love her beautiful etherial abstract paintings and the fact that she is self-taught. Mary Ann is based just outside Philadelphia where she also grew up. In reflection of her work Mary Ann says "The impulse to paint defies explanation. Why not ask why does one live? Why are we here? Being a painter is simply a way for me to express what is inside". Mary Ann sells her work directly from her website here. 

Sunday, 27 May 2012

3W: Jenny Saville & Glen Luchford



what: photography
why: because she still looks good with her face squashed on a photocopier. We love this idea and so do our photography and life drawing students. It's always great fun pulling and stretching different parts of your body on a photocopier. These images can be then turned into a cardboard relief to make rubbings from. (see pictures here)


Friday, 25 May 2012

3W: Colin Chillag



what: painting/mixed media
why: because it's a wonderful 'unfinished' photo realist portrait. Colin Chillag develops his images from a minimal linear drawing and adds in his colour palette showing the developmental process to a painting. We think it's a great approach to get students to understand how to build up layers/sections of an image and not to be afraid of leaving what's necessary. Have a look at our previous blog post about  Cristina Troufa's work - she also likes to create 'unfinished' style paintings!

Colin Chillag // Comparison Idea: Cristina Troufa

Thursday, 24 May 2012

3W: Stephen Gill


what: photography
why: we love how photographer Stephen Gill uses local found imagery and objects as his inspiration. In the image above from a series entitled Hackney Flowers Stephen places pressed flowers, seeds and berries on top of the image before re-photographing it. His work is perfect for introducing a more 'fine art' approach to photography and the students will love the personal approach to it.

Monday, 14 May 2012

3W: Niki Pilkington

who: Niki Pilkington
what: illustration/mixed media
why: we first saw Niki's work at Pick Me Up and fell instantly in love! What's not to like? Beautifully detailed pencil drawings combined with playful collage/mixed media pieces which literally come out of the drawings - wonderful!